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Poetry in Translation (LXXXIX): D.H. LAWRENCE – “Don’t Look At Me!” (Nu mă priviţi!)

September 19th, 2011 · No Comments · International Media, PEOPLE, Poetry, quotations, Translations

Desi opera lui este cunoscuta in special pentru romanele cenzurate, pentru care a fost tarat in fata tribunalului de moravuri si apoi a fost silit sa se exileze intreaga viata, ca sa se stinga prematur pe pamant strain, Lawrence a fost un scriitor prolific care s-a manifestat in forme foarte diferite. In afara de romane, el a publicat nuvele, eseuri, piese de teatru, critica lirerara, carti de calatorii si peste opt sute de poezii, la inceput aparute sub pseudonim.

Fiul unui miner din Anglia, deci din punct de vedere Marxist de “origine sociala sanatoasa”, opera lui Lawrence a fost complect ignorata in Romania comunista, ceeace a reprezentat o pierdere pentru cei ce nu au putut sa il citeasca in original. Sub acest aspect este ironica simetria atitudinii sociale din Anglia anilor 1930 cu cea a Romaniei anilor comunisti, care au cenzurat asemenea opere literare dintr-o convergenta pe cat de curioasa pe atat de neasteptata – in Anglia datorita falsului puritanism, iar in republica populara si mai apoi socialista sub obrocul “moralei proletare”, impusa de talibanii semidocti.

Traducerea poemului de mai jos, aparut in vers liber, ilustreaza un stil care ar fi rezultat in asemenea reactii bipolare: iata inca un exemplu de convergenta extremelor – puritanismul burghez si cel asa-zis proletar.

D. H. LAWRENCE

Nu mă priviţi aşa, că-mi este frică
nu ştiu ce vreţi, dar asta n-o pot da.

Falusul meu modest, nu mai palpită
deloc, stimate Doamne,
deci cereţi altceva.

Cât despre-nnsămânţarea voastră, cum adică?
eu nu vă pot jigni cu fapta mea..

Dar Fiul Cel de Sus n-o să adăste
ca sa trimită-n schimb, pe fiica sa
pe câmp de luptă să culeagă sule.

căci eu tăiat am fost, de ani de zile.

Iar de urziţi, cumva, dragelor-dragi, ca bolta să vă cadă-n cap
ea e proptită doar pe stâlpi de sule
ce-o să vă ţină drepte, in proţap.

Versiune in limba Româna de Constantin ROMAN
Copyright © Constantin ROMAN, 2011

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Patrick McGuinness’ first novel on Ceausescu’s Romania – on the Booker Prize Longlist for 1911

August 30th, 2011 · No Comments · Books, International Media, PEOPLE, quotations, Reviews

It takes an Irishman, like Patrick McGuinness, to write a fiction book on Romania, which is certainly one of the best on this subject to come out in the last one hundred years.
It is superbly crafted, gripping, witty and full of unexpected twists and turns as would befit the dark days of Ceausescu’s terminal dictatorship. The author’s acid style may not be one to be enjoyed by humourless Romanians, who, in spite of the last two decades of “freedom” remain shackled to the old mentality of the fallen dictator: it nevertheless caught the attention of the Booker Prize Jury which shortlisted it for the prize to be given later in 2011.

Ceausescu’s fall is not unlike the recent stories of other fallen dictators and the paranoia they imposed on their subjects yet the current political scene in the Middle East and North Africa makes this theme so much more compelling.
Despite the real pain and memories of suffering which this narrative brings to people cowered by fallen dictators, Patrick McG’s story deserves the highest accolade.
Watch out this space!

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Constantin ROMAN – Dérive continentale ou européen en dérive

July 27th, 2011 · No Comments · Books, Diary, Diaspora, International Media, PEOPLE, Reviews

Voici une lecture aussi passionnante que captivante, bien qu’elle ne soit pas, comme le suggère son titre, un récit scientifique*/. Son auteur, un dissident Roumain ayant fait ses études de géophysique à Bucarest pendant les années folles du régime immonde de Ceausescu, est quand même parvenu a s’en échapper, afin de participer à une conférence à l’Université de Newcastle, en Grande Bretagne. N’étant plus retourné en Roumanie qu’après la chute du régime communiste, il est resté néanmoins un patriote Roumain, actuellement Professeur honoris causa de l’Université de Bucarest, tout en gardant sa résidence, près de Glyndebourne, dans une partie “chic” de l’Angleterre. Selon son propre récit, Constantin Roman doit être l’un des jeunes cientifiques recevant l’un des meilleurs honoraires du monde . Une fois arrivé en Angleterre, muni seulement d’un billet de £5 dans sa poche, il a utilisé son expertise, son charme, les meilleurs contacts ainsi que l’appui de l”unversité de Newcastle

Keith RUNCORN, invited Constantin ROMAN to a NATO Conference on Palaeomagnetism

comme plateforme de lancement. En parvenant à entretenir les meilleurs contacts, notamment avec le Professeur Keith Runcorn, de la Royal Society, il parvint à obtenir une bourse de recherches au Collège de Peterhouse, à Cambridge. Cela lui a permis de faire sa thèse de doctorat sur la tectonique des Carpathes et de l’Asie centrale, en étudiant des données sismiques afin d’identifier les limites et le mouvement des plaques lithosphériques. Dans ce contexte, utilisant les zones de compression et d’extension, il a défini l’existence de deux plaques lithosphériques non-rigides, les “plaques tampon”, ou “buffer plates”, du Tibet et du Sinkiang, cantonnées respectivement entre les plaques lithosphériques rigides de l”Inde et de l’Eurasie. Au début des années 70 une pareille suggestion aurait été étiquetée pour le moins comme iconoclaste. Une fois son doctorat obtenu, sous la direction du professeur Sir Edward Bullard, Roman est devenu par la suite Conseiller International de l’industrie petrolière, ayant gagné, je suppose, des honoraires prodigieux. Cet ouvrage traite essentiellement, de la folie des dictatures et des bureaucraties mais aussi de la douce vie de doctorant-chercheur a Cambridge. Quand aux détails de la bureaucratie “kafkaiesque”, les autorités britanniques semblent aussi obstinées que leurs consoeurs roumaines

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“Carmen Sylva – reine Elisabeth de Roumanie” (Gabriel Badea-Paun) aux Editions “Via Romana”, 2011

May 27th, 2011 · No Comments · Art Exhibitions, Diary, Diaspora, PEOPLE, Reviews

Paris: GABRIEL BADEA-PAÜN signe sa biographie “Carmen Sylva Reine Elisabeth de Roumanie” Editions Via Romana
Né en 1973 à Sinaïa, Roumanie, auteur de plusieurs ouvrages de prestige sur l’histoire de l’art, Monsieur Badea-Paun est agrégé de L’université Paris IV Sorbonne, DEA en histoire de l’art, avec un mémoire sur Les portraits de la Famille de Hohenzollern par Philip de Laszlo. Sa thèse à Paris IV Sorbonne sous la direction du Professeur Bruno Foucart a eu pour sujet Antonio de La Gandara, le catalogue raisonné de l’œuvre peint et dessiné.

Monsieur Gabriel Badea-Paun est éagalement l’auteur de plusieures monographies ainsi que d’articles de l’histoire de l’art dans des revues de specialité en France et en Roumanie. Son dernier ouvrage sur la Reine Elisabeth de Roumanie, vient de parraitre en France aux editions Via Romana.

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Maria MESTEROU (France) artist painter – her work on the conservation of Orthodox images

May 26th, 2011 · 7 Comments · Art Exhibitions, Diaspora, International Media, PEOPLE, Reviews

Il m’est arrivé d’avoir à faire à une vaste gamme de techniques picturales, allant de la classique peinture sur toile, passant par celles sur plaques de cuivre et sur bois, jusqu’à la détrempe à l’œuf sur tissu non tendu sur châssis, comme ce fut le cas pour un très ancien voile grec couvert de beaucoup de scènes de l’Ancien et du Nouveau Testaments, dominées par deux grandes icônes de la Vierge et de Jésus Christ. Les deux premières images montrent le voile avant la restauration, avec, cependant, les visages de la Vierge et du Christ nettoyés. On voit ensuite son aspect final:

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Four decades ago – A Romanian in Britain (A Story from the Home Office website)

April 23rd, 2011 · No Comments · Books, Diary, Diaspora, PEOPLE, Reviews

My greatest trouble in England arose from my refusal to give up my Romanian nationality. In retrospect this may seem bizarre, especially that I was menaced on a number of fronts: by Securitate operatives masquerading as diplomats keen to end my flouting of socialist order and drag me back to Romania; by a prospective mother-in-law who refused to allow her daughter to marry me unless I accepted British citizenship; and by officials of the British Home Office who assumed that my desire to retain what I saw as my unalienable right of birth, my nationality, might stem from communist loyalties.

Afterwards Lord Goodman decided to champion my cause, writing to the head of the Home Office that I was a

“man of impeccable character clearly determined to belong here and make a significant contribution to our national life.””

In retrospect I hope that I discharged myself honourably of Goodman‘s expectations as I gave generously my expertise in discovering oil and gas for Britain and batting for Britain abroad on the cultural and scientific front, especially in my native country – Romania

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Churchill College, Cambridge, Romanian Poetry with George Steiner

April 14th, 2011 · No Comments · Diary, Diaspora, International Media, OPINION, PEOPLE, Poetry, quotations, Translations

NOTE: for those readers who either do not know or do not want to know and especially for those who escaped Romania, this is to say how nearly impossible it was to cross the Iron Curtain during Ceausescu’s hellish dictatorship: many people risked their lives and paid the heavy price of exile – others who had no faith in any change for the better after Ceausescu’s fall, have joined the exodus and millions of uprooted who seek work and settled in other countries – Millions of them!! Romania’s 23 million-population would decrease even faster should it not be for the influx of Chinese workers and the high birthrate of the Roma ethnic minority. Such is the inheritance of five decades of Communism!

extract from:
www.constantinroman.com/continentaldrift
(there is a free Romanian translation downloadable in pdf (ask for link – large memory needed ) , because even 17 years after the fall of communism, in 1989, although these memoirs were published in England and in the USA, its translation cannot be published in Bucharest: it was turned down by Liicianu of “Humanitas”, by Patapievici’s “Romanian Institute” (Formerly the Fundatia Culturala Romana) and by Romanian editors with claims of being “aristocrats of the intellect” (boierii mintii) – read “leaders of opinion”.

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Petitie a asociaţiilor de proprietari deposedaţi abuziv în perioada 1945-1989

April 13th, 2011 · No Comments · Diaspora, International Media, OPINION, PEOPLE

Petitie a asociaţiilor de proprietari deposedaţi abuziv în perioada 1945-1989
Prin decizia pilot Maria Atanasiu c. Romaniei, CEDO a solicitat statului roman să modifice legislaţia de restituire şi procedurile de lucru, în aşa fel încât proprietarii deposedaţi sa-şi reprimească bunurile confiscate sau despăgubirile cuvenite, într-un interval de timp „rezonabil“.

Asociaţiilorde proprietari deposedaţi, solicită ca, la elaborarea legii de restituire şi a procedurilor de lucru, să se respecte următoarele principii:
Respectarea articolelor 16 alin. 1,2; 20 şi 44 din Constituţia Românei., precum şi a articolelor 6 şi 1 din Protocolul 1 al Convenţiei pentru apărarea Drepturilor Omului şi a Libertăţilor fundamentale
Respingem orice formă de discriminare a persoanelor îndreptăţite, precum:

o plafonarea valorii despăgubirilor sau diminuarea acestora faţă de valoarea de piaţă.
respingerea cererilor fostilor cetăţeni români, cetăţeni ai UE şi moştenitori ai unor cetăţeni români, sub pretextul ca nu mai sunt actualmente cetăţeni români.
.Intocmirea unui plan de măsuri clare si univoce, cu rezultate controlabile, cu activităţi, termene şi responsabilităţi bine definite, care să fie raportate periodic autorităţilor europene.
Admiterea rezolvarii revendicarilor în baza Codului Civil Roman, prin complete de judecata specializate.

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Poetry in Translation (LXXXI): Lucian Blaga (1922-1985) – “To my Readers” (CĂTRE CITITORI)

March 30th, 2011 · No Comments · PEOPLE, Poetry, quotations, Translations

MOTTO (In Marea Trecere): Opreste trecerea. Ştiu că unde nu e moarte nu e nici iubire – şi totuşi to rog: opreste, Doamne, ceasornicul cu care ne măsuri destrămarea.
Lucian Blaga (1922-1985), Poetry in Translation (XIV), “To my Readers” (CĂTRE CITITORI)
Versiune Engleza de Constantin ROMAN (Londra)

1924
Motto
The Great Passage:
Halt the Great Passge. I know Mylord there is no Love without Death. And yet, Mylord, please stop the clock with which you measure our decay.

“Believe me, believe me one could speak endlessly about anything:

About Fate and the well-wishing Snake

About Archangels ploughing the Garden of Man

About the Sky which we hope to reach,

About Hatred and Fall, Sadness and Crucifixion…

But above all, about the Great Passage.

Yet words are nothing else than the tears

Of those who wished so much to cry, but couldn’t.

Bitter, so bitter are all words

And therefore

Let me walk in silence amongst you

Cross your way

Eyes-closed.

(Rendered in English by Constantin ROMAN)

Copyright Constantin Roman, 2011

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Miracolul Bisericii de la Drăgănescu şi o profeţie a Părintelui Arsenie Boca

March 3rd, 2011 · No Comments · Art Exhibitions, OPINION, PEOPLE, quotations, Reviews

“Pictura sacră e istoria în imagini a vieţii Mântuitorului şi a celor transfiguraţi de El. Adică imaginea raiului. Sfinţia Ta [pr. Arsenie Boca] ai înţeles să faci o pictură transfigurată în nuanţe clare şi deschise, paradisiace, pentru a sugera lumea feerică de dincolo. Biserica de la Drăgănescu iradiază lumina raiului” (Nichifor Crainic).
„Ceea ce am admirat la Sfinţia Ta e că nu te-ai lăsat. Din zugrav de suflete, fericite să se modeleze după Domnul tuturor, iată-te zugrav de biserici, adică al celor ce poartă pe chipurile cuvioase reflexul desăvârşirii Fiului lui Dumnezeu. E o mare mângâiere, acum când nu mai ai prilejul să desăvârşeşti pe aspiranţi, să poţi mângâia cu penelul pe cei desăvârşiţi pentru a-i da pildă pe zidurile sacre. Mica biserică de la Drăgănescu are norocul să simtă pe zidurile ei zugrăvite predicile fierbinţi, pe care miile de oameni le ascultau la Sâmbăta de Sus. E o pictură nouă ca şi predica de atunci. Nimic întunecat în această primăvară care îmbracă cu plai înflorit bolţile bisericii. E o lumină de tonuri deschise către lume, ca spiritul şi chipul Mântuitorului coborât să ne aducă lumina de sus, ce iradiază din pictura Sfinţiei Tale. E un stil nou, e o pictură nouă, după viziunea nouă pe care o porţi în suflet” (Nichifor Crainic, 1971).

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