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Entries Tagged as 'International Media'

WInter Drifts and Snowdrift: latest news from Absurdistan!

January 29th, 2012 · No Comments · International Media, PEOPLE, quotations

According to the Bulgarian rag “The Echo” – all is well with our “brothers in arms”, the Bulgars, but NOT so well across the border in Absurdistan: In Bucharest, a number of major streets were closed to traffic and efforts continued to clear the snowdrifts on the city’s ring road. Snow-clearing vehicles from nearby towns were called in to aid the efforts, but these were delayed for some time after their drivers had to return and purchase road vignettes before proceeding on the motorway.

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Romanians have had enough: January 2012 Riots in pictures

January 18th, 2012 · No Comments · International Media, PEOPLE, Reviews

http://www.youtube.com/watch?v=QvyQxZHNoKg&NR=1&feature=endscreen

http://www.carbonated.tv/news/romanian-protesters-clash-with-riot-police

http://www.youtube.com/watch?v=kUovnttVlYQ&NR=1&feature=endscreen

http://www.youtube.com/watch?v=ZddLe7DidoU

http://www.youtube.com/watch?v=XbqmNFWK8-c

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Book Launching (France): “Journal d’exil” by Mircea Milcovitch, Éditions Amalthée

January 8th, 2012 · No Comments · Books, Diaspora, International Media, PEOPLE, quotations, Reviews

Les “Éditions Amalthée” publieront dans la seconde moitié du mois de février 2012 le “Journal d’Exil”. Ce récit avait été rédigé après l’arrivée en France de l’artiste, entre octobre 1968 jusqu’à la fin de l’année 1969. Le livre est préfacé par le docteur Marc Andronikof.
he Éditions Amalthée publishing house will launch in February 2012 the Memoirs of artist sculptor Mircea Milcovitch (Mircea Milcovici), with a preface by Mark Andronikoff. This book is written by en exile, whose family was no stranger to the sad road of uprooting. Mircea’s father, himself a native of Bessarabia, was compelled to seek refuge in the Kingdom of Romania in the wake of the invasion by the Red Army, at the end of WWII. T
Whilst reading an early draft of this Memoir, one encounters a certain melancholy, imbued by generations of displaced ancestors, living at the confluence of warring empires. But beyond this one can detect a strong determination to live the newly-found freedom and to succeed in the artistic career.

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Poetry in Translation (C I): William Stafford (1914 – 1993) – “A Story That Could Be True”, “O poveste aproape adevărată”

December 28th, 2011 · No Comments · International Media, Poetry, quotations, Translations

Poetry in Translation (C I): William Stafford (1914 – 1993) – “A Story That Could Be True”, “O poveste aproape adevărată”
They miss the whisper that runs
any day in your mind,
“Who are you really, wanderer?”–
and the answer you have to give
no matter how dark and cold
the world around you is:
“Maybe I’m a king.”

Ei nu-ţi vor auzi şoapta
ce-ţi trece mereu prin minte.
“Oare cine eşti tu, străine?”
Iar tu, ori cât de intunecată şi rece
ţi-ar părea lumea din jurul tău, vei răspunde:
“Eu, poate sunt Împăratul!”

Versiune in Limba Româna
Constantin ROMAN
© Constantin ROMAN, 2011

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Maria MESTEROU – Retrospectiva Franta (14 Oct. 2011 – 27 Nov. 2011)

September 21st, 2011 · No Comments · Art Exhibitions, Diaspora, International Media, PEOPLE

Maria MESTEROU – Retrospectiva Pictura, Dreux, Franta (14 Oct. 2011 – 27 Nov. 2011)
L’univers de Maria Mestérou est un monde fait de mystérieux objets. L’espace qui les contient communique souvent avec l’étendue des horizons éloignés, de la mer. L’étrange charge que portent ces objets transfigure aussi le paysage, le plein air dans lequel ils sont placés. Ils font parfois la place à un personnage non moins mystérieux, sachant partager leur silence et entretenir le dialogue avec celui qui regarde. Ce ne sont pas des natures mortes dans le sens usuel du terme, c’est une insolite figuration. Peut-être la recherche d’un genre de dimension perdue ou le surnaturel trouverait forme dans le naturel, lui transférant une lumière d’attente, l’attente de la métamorphose finale. Les objets sont réunis pour un moment précis, d’où jaillit une beauté sereine. Leur rayonnement transcende leur apparence et prend des lueurs cosmiques. Le sensible sert le transcendantal dans un échange avec le spectateur, et cet échange est déjà de l’ordre de l’affectif.
Valérian Bryn

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Poetry in Translation (LXXXIX): D.H. LAWRENCE – “Don’t Look At Me!” (Nu mă priviţi!)

September 19th, 2011 · No Comments · International Media, PEOPLE, Poetry, quotations, Translations

Desi opera lui este cunoscuta in special pentru romanele cenzurate, pentru care a fost tarat in fata tribunalului de moravuri si apoi a fost silit sa se exileze intreaga viata, ca sa se stinga prematur pe pamant strain, Lawrence a fost un scriitor prolific care s-a manifestat in forme foarte diferite. In afara de romane, el a publicat nuvele, eseuri, piese de teatru, critica lirerara, carti de calatorii si peste opt sute de poezii, la inceput aparute sub pseudonim.

Fiul unui miner din Anglia, deci din punct de vedere Marxist de “origine sociala sanatoasa”, opera lui Lawrence a fost complect ignorata in Romania comunista, ceeace a reprezentat o pierdere pentru cei ce nu au putut sa il citeasca in original. Sub acest aspect este ironica simetria atitudinii sociale din Anglia anilor 1930 cu cea a Romaniei anilor comunisti, care au cenzurat asemenea opere literare dintr-o convergenta pe cat de curioasa pe atat de neasteptata – in Anglia datorita falsului puritanism, iar in republica populara si mai apoi socialista sub obrocul “moralei proletare”, impusa de talibanii semidocti.

Traducerea poemului de mai jos, aparut in vers liber, ilustreaza un stil care ar fi rezultat in asemenea reactii bipolare: iata inca un exemplu de convergenta extremelor – puritanismul burghez si cel asa-zis proletar.

D. H. LAWRENCE

Nu mă priviţi aşa, că-mi este frică
nu ştiu ce vreţi, dar asta n-o pot da.

Falusul meu modest, nu mai palpită
deloc, stimate Doamne,
deci cereţi altceva.

Cât despre-nnsămânţarea voastră, cum adică?
eu nu vă pot jigni cu fapta mea..

Dar Fiul Cel de Sus n-o să adăste
ca sa trimită-n schimb, pe fiica sa
pe câmp de luptă să culeagă sule.

căci eu tăiat am fost, de ani de zile.

Iar de urziţi, cumva, dragelor-dragi, ca bolta să vă cadă-n cap
ea e proptită doar pe stâlpi de sule
ce-o să vă ţină drepte, in proţap.

Versiune in limba Româna de Constantin ROMAN
Copyright © Constantin ROMAN, 2011

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Poetry in Translation (LXXXVII): U2 – “Peace on Earth”

August 31st, 2011 · No Comments · International Media, Poetry, quotations, Translations

Peace
Heaven on Earth
we need it now
I’m sick of all of this
hanging around
Sick of sorrow
I’m sick of the pain
I’m sick of hearing
again and again
that there’s gonna be
peace on Earth

http://www.youtube.com/watch?v=a8PcvmRllis&feature=related

Pace

Tu, rai lumesc,
Te vreau acum
Sunt ostenit
S-astept in veci.
Etern ecou
Si-adanc suspin
Mereu s-aud
Un lung refren
De Rai lumesc
Pe-acest Pamant..

(Romanian version by Constantin ROMAN)
31 August 2011

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Patrick McGuinness’ first novel on Ceausescu’s Romania – on the Booker Prize Longlist for 1911

August 30th, 2011 · No Comments · Books, International Media, PEOPLE, quotations, Reviews

It takes an Irishman, like Patrick McGuinness, to write a fiction book on Romania, which is certainly one of the best on this subject to come out in the last one hundred years.
It is superbly crafted, gripping, witty and full of unexpected twists and turns as would befit the dark days of Ceausescu’s terminal dictatorship. The author’s acid style may not be one to be enjoyed by humourless Romanians, who, in spite of the last two decades of “freedom” remain shackled to the old mentality of the fallen dictator: it nevertheless caught the attention of the Booker Prize Jury which shortlisted it for the prize to be given later in 2011.

Ceausescu’s fall is not unlike the recent stories of other fallen dictators and the paranoia they imposed on their subjects yet the current political scene in the Middle East and North Africa makes this theme so much more compelling.
Despite the real pain and memories of suffering which this narrative brings to people cowered by fallen dictators, Patrick McG’s story deserves the highest accolade.
Watch out this space!

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Romania anilor ’50 si ’60: Muzica usoara occidentala sub Comunism

August 12th, 2011 · No Comments · International Media, PEOPLE

Uneori, la Bucuresti, mai auzeam de la prietenii unor prieteni, cam la māna a treia sau a patra, de niște “ceaiuri” date īn cartierul Primăverii, unde “grangurii” īși aveau ghetoul privilegiat, īn casele luate cu japca de la “exploatatorii” care īnfundaseră pușcăriile de la Sighet sau Aiud.
Copiii lor, de aceeași vārstă cu mine, primiseră discuri de muzică ușoară: twist, rock’n roll – muzică “decadentă” pentru noi, dar nu și pentru ei. Era imposibil de pătruns īn asemenea cercuri, și m-aș fi simțit compl “pe din afară”, așa că doar visam. Īn plus, nu era suficient să fi pus māna pe un disc străin, ci trebuia să ai și un “patefon” modern, pentru “microsilloane” de 33 și mai tārziu de 45 (rotații pe minut). Asemenea tehnologie nu exista pe piața liberă, dar la un moment dat a fost importată din Cehoslovacia sau Germania de Est. Prin anii ‘60 apăruseră niște īnregistrări romānești (Electrecord) cu cāntăreți occidentali simpatizanți comuniști – interpretul negru american de jazz Paul Robson, sau comunistul francez Yves Montand. Ei, asta era mare lucru! Dar noi tinerii preferam Beatles sau Paul Anka, īnsă de unde Dumnezeu să īi găsești?

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Constantin ROMAN – Dérive continentale ou européen en dérive

July 27th, 2011 · No Comments · Books, Diary, Diaspora, International Media, PEOPLE, Reviews

Voici une lecture aussi passionnante que captivante, bien qu’elle ne soit pas, comme le suggère son titre, un récit scientifique*/. Son auteur, un dissident Roumain ayant fait ses études de géophysique à Bucarest pendant les années folles du régime immonde de Ceausescu, est quand même parvenu a s’en échapper, afin de participer à une conférence à l’Université de Newcastle, en Grande Bretagne. N’étant plus retourné en Roumanie qu’après la chute du régime communiste, il est resté néanmoins un patriote Roumain, actuellement Professeur honoris causa de l’Université de Bucarest, tout en gardant sa résidence, près de Glyndebourne, dans une partie “chic” de l’Angleterre. Selon son propre récit, Constantin Roman doit être l’un des jeunes cientifiques recevant l’un des meilleurs honoraires du monde . Une fois arrivé en Angleterre, muni seulement d’un billet de £5 dans sa poche, il a utilisé son expertise, son charme, les meilleurs contacts ainsi que l’appui de l”unversité de Newcastle

Keith RUNCORN, invited Constantin ROMAN to a NATO Conference on Palaeomagnetism

comme plateforme de lancement. En parvenant à entretenir les meilleurs contacts, notamment avec le Professeur Keith Runcorn, de la Royal Society, il parvint à obtenir une bourse de recherches au Collège de Peterhouse, à Cambridge. Cela lui a permis de faire sa thèse de doctorat sur la tectonique des Carpathes et de l’Asie centrale, en étudiant des données sismiques afin d’identifier les limites et le mouvement des plaques lithosphériques. Dans ce contexte, utilisant les zones de compression et d’extension, il a défini l’existence de deux plaques lithosphériques non-rigides, les “plaques tampon”, ou “buffer plates”, du Tibet et du Sinkiang, cantonnées respectivement entre les plaques lithosphériques rigides de l”Inde et de l’Eurasie. Au début des années 70 une pareille suggestion aurait été étiquetée pour le moins comme iconoclaste. Une fois son doctorat obtenu, sous la direction du professeur Sir Edward Bullard, Roman est devenu par la suite Conseiller International de l’industrie petrolière, ayant gagné, je suppose, des honoraires prodigieux. Cet ouvrage traite essentiellement, de la folie des dictatures et des bureaucraties mais aussi de la douce vie de doctorant-chercheur a Cambridge. Quand aux détails de la bureaucratie “kafkaiesque”, les autorités britanniques semblent aussi obstinées que leurs consoeurs roumaines

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